Wednesday, September 23, 2009

Female Safety in the Nightclub Environment



By
Gamal Hennessy

There are 65 million entries into nightlife venues every year. The vast majority of the patrons who go into our bars, clubs and lounges make it home safely every night. Unfortunately, on rare occasions, predators and fanatics prey on the isolated and the defenseless. The results are terrible for the victims and negative for the industry as a whole. The recent case of Luis Zambrano highlights both the need for awareness in an adult environment and offers guidance on the best way for ladies to protect themselves at night.

Last week,
Inside Edition ran a story about a man named Luis Zambrano. Mr. Zambrano went to Marquee, isolated a 23 year old girl, dragged her out of the club in full view of the crowd and the operators, took her back to his apartment and raped her. Because the entire incident was caught on Marquee’s security cameras, Zambrano was arrested and pled guilty to kidnapping and rape charges.

Experts state that this contained several elements that predators look for. First, the victim was separated from her friends. Second, the victim was either drunk when Zambrano met her or she accepted drinks from him that were laced with GHB or similar substances. This combination gives predators the ability to overpower and move a victim out of the venue. If she is too drunk or drugged, she’s not conscious enough to resist or even speak. Other random patrons can’t tell if the man carrying a woman out of a club is her boyfriend or her rapist. The bouncers can’t tell if they are best friends, if they just met or if they never met. The predator preys on animosity and isolation.

There is no practical way for women to alter or eliminate predators or fanatics in nightlife. It is often very difficult to even identity a potential threat in the chaotic environment of a club. But there are five steps that women can take to deter and avoid assaults while they are out; group movement, designated watchers, deterrence images, retained awareness and responsible indulgence.

Group Movement:
Lisa Friel is an ADA for the sex crimes unit in Manhattan. She has experience with cases of sexual assaults that begin in clubs and end in the predator’s apartment or car. She advocates that women use the concept of group movement, meaning that the ladies go out together, remain in the same general area and leave together. This prevents any one woman from being isolated and abused. Ms. Friel isn’t saying you shouldn’t dance, meet boys, exchange numbers and generally have a good time. She isn’t saying that the whole night should be one huge exercise in cockblocking. She is saying that there is strength in numbers when it comes to preventing sexual assault.

Designated Watcher: Ms. Friel also supports the use of a designated watcher. Similar to a designated driver, the watcher drinks less than the rest of the group and makes sure that no one falls unconscious, gets overcome by a group of fanatics, or stumbles out of the club at 4:15 without any idea of where they are or how they are getting home. Again, this isn’t an invitation for a wet blanket to play morality cop and ruin everyone’s night, but if you go out in a group and the whole group gets blind drunk, then the security of the group isn’t that effective.

Deterrence Image: If you are separated from your group, or if you are the designated watcher, you will need a way to drive off people who might cause problems. Sexual criminals in nightlife are similar to predators in nature. When choosing someone to attack, they often choose the person who appears the least likely to protect themselves. They target the weakest of the herd. In a nightlife context that means they will target people who are drunk, preoccupied, confused, or who project weakness through non verbal signals in their body language. Victimology experts Chuck Hustmyre and Jay Dixit suggest that attackers are less likely to choose targets that are organized in their movement, confident in their posture and comfortable in their surroundings are less likely to be singled out. The evidence supports this theory. Zambrano didn’t target the women who were full of energy and dancing around him. He went after the one passed out on the couch.

Retained Awareness: The Zambrano crime also shows that it is very hard to get out of a situation that you are not aware of. If you are surprised, caught off guard or blindsided, you are more likely compound your problems. If you’re going to get so drunk that you don’t know where you are, you are more likely to wind up someplace that you don’t want to be. A stumbling drunk identifies herself to every fanatic in the room as an
amateur and a potential victim. Maintaining awareness of your surroundings as you party is an integral part of being a nightlife native. You can have a good time and keep your eyes open, but you have to make that choice up front.

Responsible Indulgence: The basic concept that women can use to protect themselves is responsible indulgence. It isn’t about being afraid to go out or going out looking for trouble. It is about knowing your limits and being familiar with your environment so you can deal with a potential problem if it arises. There is such a thing as too much to drink. There are activities that aren’t worth the risk. You can enjoy everything nightlife has to offer and still remember it in the morning. Predators seek out nightlife amateurs and avoid nightlife natives because the amateur is easy prey. As more women become natives, sexual assaults against women will be even more atypical.

Sexuality is at the core of the nightlife experience. Women are the linchpin to the majority of nightlife business and culture. But that doesn’t mean that they need to feel uncomfortable, threatened or afraid when they go out. It does mean that they need to take some precautions to deter the Zambrono’s of the world.

Have fun.

G

Wednesday, September 9, 2009

Anja Bar, Le Souk Harem and Su Casa


The New York Nights Club Report for September 10, 2009
Compiled by Gamal Hennessy

Opening
Su Casa
(Thrillist)
Mexican crafted cocktails find a home in the West Village…

Le Souk Harem

(Urban Daddy)
The celebrated East Village hookah bar brings its to Greenwich Village…

Changes
Anja Bar
(Eater)
Legal conflict over the Buddha Bar name leads to a new name and a new chef…

Limelight
(Associated Press)
The historic nightclub will be reopened as a mini mall…and nightlife weeps.

HoHo
(Good Night Mr. Lewis)
Will the area between Houston Street and the Holland tunnel become a nightlife center?


Resources

Societe Perrier
A strong new voice in nightlife is supported by luminaries and backed by Perrier.

Thursday, August 27, 2009

Ainsworth, Loz Feliz, Sweet Afton, and Yerba Buena Perry


Compiled by Gamal Hennessy

The New York Nights Club Report for August 28, 2009

Opening
Ainsworth
(Urban Daddy)
A super sized high end sports bar pub arrives in Chelsea with a lot of adjectives…

Loz Feliz
(Urban Daddy)
When a tequila bar meets a speakeasy, you get Loz Feliz…

Sweet Afton
Astoria gets its own high end speakeasy…

Yerba Buena Perry
(Thrillist)
Another variation on the Latin cocktail lounge lands in the West Village…

Have fun.
Gamal

Thursday, August 20, 2009

Beatrice, Le Royale New Bars for Fall and the NY Primaries



The New York Nights Club Report for August 20, 2009

Compiled by Gamal Hennessy

Closed
Le Royale
(Club Planet)
The revival of Luke and Leroy appears to have fallen on hard times.

Coming Soon
New Venues for Fall 2009
(Metromix)
Brooklyn, Manhattan and Queens will play host to 14 new venues scheduled to open soon…

Community Boards
Beatrice
(New York Times)
An in depth story of how a few residents can shut down a successful venue.

Politics
The NPC Announces Its Endorsements for 2009
(Good Night Mr. Lewis)
Take the chance to put pro-nightlife representatives in office…

Have fun.
G

Friday, August 14, 2009

Great Jones Hotel, Knitting Factory and Attacks on the Nightlife Industry



The New York Nights Club Report for August 14, 2009
Compiled by
Gamal Hennesy

Coming Soon

(New York Magazine)
The new NoHo hotel will have three separate venues, including one with a retractable roof.

Community Boards
Avenue A
(New York Magazine)
Local residents are organizing another meeting about “the overabundance of bars”

Events
RHI Nightlife Safety Seminar
The national nightlife association is planning a series of nightlife safety seminars across the East Coast.

Law
The 500 Foot Rule
(The Villager)
Squadron and his anti nightlife lobby
override a judicial ruling on liquor licenses

Moved
(The Examiner)
The live music venue has relocated from TriBeCa to Williamsburg

Have fun
Gamal

Thursday, August 6, 2009

Berry Park, Bia Garden and Bongo



Compiled by Gamal Hennessy

The New York Nights Club Report for August 6, 2009

Opening

Berry Park
(Urban Daddy)
Now that we finally have hot summer days, Brooklyn obviously needs a new beer garden.

(Thrillist)
Another new beer garden for anyone who doesn’t want to go to Williamsburg…

(Thrillist)
Go for the oysters and cocktails after you’ve strolled on the Highline.

Opinion
(The New York Times)
Read professional opinions concerning drinking as part of your professional life.

Hot Girls as an Economic Indicator
(New York Magazine)
Where do all the cute bottle hostesses go when the demand for bottle service dwindles?


Have fun.
Gamal

Wednesday, August 5, 2009

Reni Lane: The Evolution of Pop



By Gamal Hennessy

On the eve of her first album release, up and coming artist Reni Lane discusses Tastemakers, wardrobe malfunctions and the King of Pop.

Vital Information
Website:
http://www.renilane.com/
Hometown: Corvallis, Oregon
Latest Project: "Ready" scheduled for an early 2010 release
Next New York Performance:
August 21st at Le Poisson Rouge

NYN: I got a chance to catch your show over at Citrine. Do you always walk through the crowd and jump on furniture when you sing?

RL: (laughter) I’ve always been kind of a tom boy. Climbing on things is second nature to me. Once I started performing it seemed like a fun way to connect with the crowd and give them a fun time. Now I climb on furniture instead of trees.

NYN: Have you ever taken a bad spill or had a wardrobe malfunction during an on stage climb?

RL: (laughter) I’ve never had a wardrobe malfunction. I wear underwear when I perform so I should be safe. I haven’t fallen yet and I don’t really worry about it. If I fall, it’s just another fun experience for the crowd, as long as I don’t kill myself.

NYN: You get to perform all over the East Coast. How is a New York crowd different from a Philly or DC crowd?

RL: When I play for crowds in Philly or DC, it feels like I’m playing for regular, down to earth grass roots fans. When I play in New York I feel like I’m playing for the media, the PR companies and the tastemakers. It sometimes feels strange performing for people who have fabulous jobs and fabulous lives that I can’t even aspire to, but I love it. New York is the best city in the world to perform because of the energy here. Besides, if you don’t reach the tastemakers, it’s that much harder to reach the grass roots fans.

NYN: You have connections to both a small independent label and a major music company. In an era of digital distribution, major record stores closing down and the flood of competition, how do you plan to succeed?

RL: There are definitely benefits to being attached to a label, but I always try to remember that there are things that a label can do for you and things that it can’t. A label can make sure you get in front of the right people, but you still have to perform in a way that connects to the audience. A label can get you access to the best studio and producers, but it can’t give you something to say. I know the only way I’m going to succeed is to make songs that appeal to people, perform them as well as I can and establish a connection with the audience that lasts.

NYN: You’re about to drop a pop album during a time when a major pop star has died. What kind of impact did he have on you when you were growing up?

When I was growing up in Oregon, the only music I had access to was classical music, Disney music, Duran Duran and Michael Jackson. His albums helped define what music was to me. When I moved to the East Coast, and started high school, his music was one of the few things that the different cliques could agree on. Kids like me who were different drew inspiration from his ability to use music to be accepted in spite of his differences. He was definitely one of my inspirations to start song writing.

NYN: And what kind of impact do you think his legacy will have on you? What kind of legacy do you want to leave behind when your career is over?

I think that MJ defined what a pop icon is. He was also a symbol for our obsession over the personal lives of celebrities and the media fascination with train wrecks. Hopefully his death will show the harmful effects that that type of relentless scrutiny can have on a person and on the people he comes in contact with. I’m hoping that there will be a swing back to focusing on the music instead of the imagery and the spectacle. If I can be a part of that change I think that’s the best legacy that I can ask for.

Have fun
Gamal